1 00:00:00,835 --> 00:00:02,377 Woman: 5 PEOPLE ARE DEAD 2 00:00:02,377 --> 00:00:03,671 IN A BRUTAL SLAYING THAT OCCURRED ON A DOWNTOWN SUBWAY. 3 00:00:03,671 --> 00:00:04,880 IT WAS RATHER ALARMING HEARING 4 00:00:04,880 --> 00:00:05,881 ABOUT THE MURDERS IN NEW YORK. 5 00:00:05,881 --> 00:00:07,007 YOU AIN'T GETTING ITCHY? 6 00:00:07,007 --> 00:00:09,050 ALL OF THAT IS BEHIND ME. 7 00:00:09,050 --> 00:00:10,678 YOU'RE WITHHOLDING INFORMATION THAT YOU OBTAINED ILLEGALLY. 8 00:00:10,678 --> 00:00:12,262 YOU'VE GOT TO STOP PLAYING DIRTY HARRY 9 00:00:12,262 --> 00:00:13,931 AND GO TO THE FBI, RYAN. THEY'RE YOUR PEOPLE. 10 00:00:13,931 --> 00:00:15,891 Mendez: HAVE YOU BEEN IN CONTACT WITH ANY FOLLOWERS 11 00:00:15,891 --> 00:00:17,184 - OF CARROLL IN THE PAST YEAR? - NO. 12 00:00:17,184 --> 00:00:18,853 WHERE IS JOE CARROLL? 13 00:00:18,853 --> 00:00:19,854 I HAVEN'T SEEN JOE SINCE THE LIGHTHOUSE. 14 00:00:19,854 --> 00:00:21,856 -HELLO? -CARLOS? 15 00:00:21,856 --> 00:00:23,440 - EMMA, ARE YOU WITH JOE? - JOE'S DEAD. WHERE ARE YOU? 16 00:00:23,440 --> 00:00:25,359 WHO ARE YOU WITH? 17 00:00:25,359 --> 00:00:26,861 Ryan: YOU'RE LOOKING FOR BROTHERS, IDENTICAL TWINS. 18 00:00:26,861 --> 00:00:28,821 Luke: I BET CLAIRE'S DEATH HURT. 19 00:00:28,821 --> 00:00:31,198 IT'S NICE TO SEE YOU GETTING BACK OUT THERE AGAIN. 20 00:00:31,198 --> 00:00:32,908 YOU REALLY HAVE A THING FOR BLONDS. 21 00:00:32,908 --> 00:00:35,452 YOU'RE AN INTERESTING MAN, RYAN. 22 00:00:35,452 --> 00:00:37,204 I'LL HAVE YOU HOME BEFORE YOU KNOW IT. 23 00:00:37,204 --> 00:00:38,288 AAH! HE WAS IN THE SUBWAY! 24 00:00:39,331 --> 00:00:40,833 RUN! AAH! 25 00:00:40,833 --> 00:00:41,834 UNH! 26 00:00:44,545 --> 00:00:46,087 Luke: HE SHOT ME. 27 00:00:46,087 --> 00:00:47,923 Ryan: I TOOK RISKS WITH YOUR SAFETY. 28 00:00:47,923 --> 00:00:49,967 YOU SAVED MY LIFE. 29 00:00:49,967 --> 00:00:51,010 WHAT ARE WE WATCHING? 30 00:00:52,093 --> 00:00:53,387 Mandy: HE KNOWS. 31 00:00:53,387 --> 00:00:55,514 AAH! 32 00:00:55,514 --> 00:00:57,766 Mandy: MAMA'S GONNA BE HOME SOON. 33 00:00:57,766 --> 00:00:59,059 SHE'S GONNA BE MAD. 34 00:01:08,652 --> 00:01:11,238 MAMA'S GONNA BE HOME SOON, JOE. 35 00:01:11,238 --> 00:01:12,740 WHAT ARE WE GONNA DO? 36 00:01:12,740 --> 00:01:14,533 WE CAN START BY HIDING THE BODY, HUH? 37 00:01:14,533 --> 00:01:16,994 IF WE UNTIE HIM, WE COULD ROLL HIM UP IN THE CARPET 38 00:01:16,994 --> 00:01:18,495 AND DRAG HIM TO THE BARN. 39 00:01:20,288 --> 00:01:22,791 WELL, YOU ARE FAST ON YOUR FEET. 40 00:01:22,791 --> 00:01:24,626 Judy: I'M HOME! 41 00:01:24,626 --> 00:01:27,170 WHAT IS THE REVEREND'S CAR DOING IN THE DRIVEWAY 42 00:01:27,170 --> 00:01:28,797 WITH THE WINDOW SMASHED OUT? 43 00:01:31,008 --> 00:01:33,092 IT'S NOT WHAT IT LOOKS LIKE, MAMA. 44 00:01:34,302 --> 00:01:36,638 ACTUALLY, MANDY, IT'S-- 45 00:01:36,638 --> 00:01:38,223 IT'S EXACTLY WHAT IT LOOKS LIKE. 46 00:01:47,983 --> 00:01:50,235 [FOOTSTEPS, FLOORBOARDS CREAKING] 47 00:02:33,946 --> 00:02:34,947 HELLO, RYAN. 48 00:02:39,576 --> 00:02:41,954 YOU CAN'T KILL ME, RYAN. 49 00:02:41,954 --> 00:02:42,955 AAIGH! 50 00:02:46,792 --> 00:02:50,838 IF I DIE-- HEH HEH HEH-- YOU DIE. 51 00:02:50,838 --> 00:02:51,964 UNH! 52 00:02:57,218 --> 00:02:58,177 OHH! 53 00:03:15,029 --> 00:03:16,030 Mike: HEY, RYAN. 54 00:03:17,698 --> 00:03:19,240 WE'RE READY FOR YOU. 55 00:03:19,240 --> 00:03:20,199 OH, YEAH. 56 00:03:24,955 --> 00:03:26,623 Mendez: SORRY TO KEEP YOU WAITING. 57 00:03:26,623 --> 00:03:27,708 IT'S BEEN A LONG NIGHT FOR ALL OF US. 58 00:03:27,708 --> 00:03:29,001 CAN I GET A COFFEE, PLEASE? 59 00:03:29,001 --> 00:03:30,752 SURE. GET HIM A COFFEE. WE GOT THE FOOTAGE 60 00:03:30,752 --> 00:03:31,962 FROM LAST NIGHT'S BENEFIT. 61 00:03:31,962 --> 00:03:33,254 MIKE. 62 00:03:33,254 --> 00:03:34,422 YOU WENT IN THROUGH THE MAIN DOOR. 63 00:03:34,422 --> 00:03:36,050 YOU HAVE HIM ON THE PHONE 64 00:03:36,050 --> 00:03:38,677 I SEE HIM THERE IN THE CORNER. 65 00:03:38,677 --> 00:03:42,097 AND THAT'S HIS TWIN STANDING BEHIND YOU. 66 00:03:42,097 --> 00:03:44,183 LET'S GET THEIR FACES OUT TO THE PUBLIC. 67 00:03:44,183 --> 00:03:45,517 UH, RUN IT BY PHILLIPS. 68 00:03:45,517 --> 00:03:46,977 HE'S BRIEFING THE MAYOR. 69 00:03:46,977 --> 00:03:48,227 HE'LL WANT TO ISSUE A STATEMENT. 70 00:03:55,861 --> 00:03:58,780 DON'T OVERIDENTIFY WITH THE VICTIM, MR. HARDY. 71 00:03:58,780 --> 00:03:59,781 EXCUSE ME? 72 00:03:59,781 --> 00:04:01,116 I KNOW YOU CARE ABOUT HER, 73 00:04:01,116 --> 00:04:02,826 BUT YOU ALMOST GOT THAT WOMAN KILLED. 74 00:04:02,826 --> 00:04:04,119 TRY TO RESIST. 75 00:04:04,119 --> 00:04:05,162 HERE'S YOUR PHONE BACK. 76 00:04:05,162 --> 00:04:06,621 ANYTHING? 77 00:04:06,621 --> 00:04:07,748 WE FOUND A DISPOSABLE PHONE IN A TRASHCAN 78 00:04:07,748 --> 00:04:09,290 4 BLOCKS FROM THE MUSEUM. 79 00:04:09,290 --> 00:04:11,250 YEAH. WELL, THEY'RE USING BURNER PHONES. 80 00:04:11,250 --> 00:04:13,128 THEY'RE SWAPPING THEM OUT DAILY SO THEY CAN'T BE TRACED. 81 00:04:13,128 --> 00:04:15,547 WELL, THANK YOU, RYAN. WE HADN'T THOUGHT OF THAT, 82 00:04:15,547 --> 00:04:17,549 BUT WE DID MANAGE TO CREATE A VIDEO TRAIL 83 00:04:17,549 --> 00:04:19,551 USING SURVEILLANCE FOOTAGE 84 00:04:19,551 --> 00:04:21,302 AFTER THE SUBWAY MASSACRE. 85 00:04:21,302 --> 00:04:23,055 WE FOLLOWED THE 3 SUSPECTS FROM THE STATION. 86 00:04:23,055 --> 00:04:24,556 THE TWINS OUTMANEUVERED THE CAMERAS, 87 00:04:24,556 --> 00:04:26,850 BUT CARLOS LED US 47 BLOCKS TO HIS APARTMENT 88 00:04:26,850 --> 00:04:27,976 ON AVENUE D. 89 00:04:27,976 --> 00:04:30,104 [HORN HONKS, TIRES SQUEALS] 90 00:04:34,149 --> 00:04:35,150 THAT MUST HAVE HURT. 91 00:04:37,778 --> 00:04:39,696 WE FOUND YOUR PRINTS ALL OVER THE APARTMENT. 92 00:04:39,696 --> 00:04:41,198 KIND OF HAVE TO COOPERATE NOW, 93 00:04:41,198 --> 00:04:42,241 SO WHY DON'T YOU START? 94 00:04:43,450 --> 00:04:46,203 OK. TRUTH-- 95 00:04:46,203 --> 00:04:47,913 I WENT LOOKING FOR CARLOS, I FOUND HIM, 96 00:04:47,913 --> 00:04:50,082 HE GOT AWAY, I CHASED HIM, TAXI, SPLAT. 97 00:04:50,082 --> 00:04:51,625 WHAT DID YOU TAKE FORM THE APARTMENT? 98 00:04:51,625 --> 00:04:53,752 DON'T LIE BECAUSE WE HAVE THE FOOTAGE. 99 00:04:53,752 --> 00:04:55,712 DUFFEL BAG WITH SOME CLOTHES, TOILETRIES, 100 00:04:55,712 --> 00:04:56,797 A JOE CARROLL MASK. 101 00:04:56,797 --> 00:04:58,506 I'LL TURN IT ALL IN TO YOU. 102 00:04:58,506 --> 00:05:01,718 OBSTRUCTION, VIGILANTISM, CONTAMINATING A CRIME SCENE, 103 00:05:01,718 --> 00:05:03,887 - TAMPERING WITH EVIDENCE. - ARE YOU ARRESTING ME? 104 00:05:06,098 --> 00:05:09,434 NO. I'M NOT. YOU'RE FREE TO GO. 105 00:05:16,483 --> 00:05:17,734 THANKS FOR THE COFFEE. 106 00:05:17,734 --> 00:05:18,693 NO PROBLEM. 107 00:05:24,658 --> 00:05:25,993 YOU GOT A SIGNAL ON HARDY? 108 00:05:25,993 --> 00:05:27,786 GOT HIM. 109 00:05:27,786 --> 00:05:29,871 HE KNOWS YOU GOT A COURT ORDER AND YOU'RE TRACKING HIM. 110 00:05:29,871 --> 00:05:32,916 GOOD. MONITOR HIS ONLINE ACTIVITY, AS WELL. 111 00:05:35,085 --> 00:05:36,753 AM I GONNA LIVE? 112 00:05:41,424 --> 00:05:44,845 NO WAY. I WANT TO FEEL EVERY SECOND OF IT. 113 00:05:44,845 --> 00:05:46,221 NEVER BEEN SHOT BEFORE. 114 00:05:46,221 --> 00:05:47,597 UGH. YOU'VE BEEN GRAZED. 115 00:05:48,640 --> 00:05:50,017 IT COUNTS. 116 00:05:50,017 --> 00:05:52,144 THERE'S A HOLE IN MY SHOULDER. 117 00:05:52,144 --> 00:05:55,314 IT'S AN OFFICIAL RYAN HARDY GUNSHOT WOUND. 118 00:05:55,314 --> 00:05:57,191 HELL, YEAH. 119 00:05:57,191 --> 00:05:58,775 Man on TV: KILLER TWINS. THAT'S THE BREAKING NEWS 120 00:05:58,775 --> 00:06:00,235 TODAY AS PHOTO IMAGES HAVE BEEN RELEASED 121 00:06:00,235 --> 00:06:01,820 OF TWO ADDITIONAL SUSPECTS 122 00:06:01,820 --> 00:06:03,655 IN CONNECTION WITH THE SERIES OF MURDERS 123 00:06:03,655 --> 00:06:05,532 TERRORIZING THE CITY OF NEW YORK. 124 00:06:05,532 --> 00:06:06,658 YOU GUYS HAVE BEEN MADE. 125 00:06:06,658 --> 00:06:08,035 IT WAS INEVITABLE, 126 00:06:08,035 --> 00:06:09,744 BUT THEY WON'T IDENTIFY US. 127 00:06:11,412 --> 00:06:13,414 Man: ...A CHARITY GALA AT THE STEWART RUSSIAN MUSEUM, 128 00:06:13,414 --> 00:06:15,709 WHERE THEY BRUTALLY STABBED A MALE GUEST. 129 00:06:15,709 --> 00:06:18,295 THAT VICTIM REMAINS IN THE HOSPITAL AT THIS HOUR. 130 00:06:18,295 --> 00:06:20,421 IT'S EMMA. SHE KEEPS CALLING. 131 00:06:20,421 --> 00:06:21,798 SEND IT TO VOICEMAIL. 132 00:06:21,798 --> 00:06:22,841 TAKE A HINT, BITCH. 133 00:06:26,970 --> 00:06:28,180 WHY DON'T YOU LIKE EMMA? 134 00:06:28,180 --> 00:06:29,723 UH, BECAUSE SHE'S UNLIKABLE. 135 00:06:29,723 --> 00:06:31,141 NO ONE LIKED HER. 136 00:06:31,141 --> 00:06:33,310 IT SAYS HERE SHE WAS ONE OF HIS FIRST FOLLOWERS. 137 00:06:33,310 --> 00:06:35,687 HE TRUSTED HER WITH HIS SON. THAT'S HUGE. 138 00:06:35,687 --> 00:06:36,646 A LOT OF GOOD THAT DID. 139 00:06:40,192 --> 00:06:41,860 CALL HER BACK. 140 00:06:41,860 --> 00:06:43,444 WHAT? 141 00:06:43,444 --> 00:06:46,323 - [SPEAKING FRENCH] - MARK, WHAT ARE YOU DOING? 142 00:06:46,323 --> 00:06:47,448 HAVING A LITTLE FUN. 143 00:06:48,825 --> 00:06:50,118 IT'S NOT HURTING ANYTHING, 144 00:06:50,118 --> 00:06:51,245 AND IT'S NOT LIKE JOE'S CALLING. 145 00:06:53,580 --> 00:06:54,706 GO AHEAD. CALL HER. 146 00:06:54,706 --> 00:06:55,707 AND SAY WHAT? 147 00:07:06,301 --> 00:07:08,262 Hannah: IF JOE WERE ALIVE, WE WOULD KNOW. 148 00:07:10,264 --> 00:07:11,472 WOULD WE? 149 00:07:11,472 --> 00:07:12,431 YOU WOULD. 150 00:07:13,516 --> 00:07:15,269 HE WILL CONTACTED YOU. 151 00:07:15,269 --> 00:07:16,270 YOU TWO WERE TIGHT. 152 00:07:18,855 --> 00:07:20,357 MAYBE THERE WAS A REASON THAT HE COULDN'T. 153 00:07:22,150 --> 00:07:23,193 HELLO? 154 00:07:23,193 --> 00:07:24,861 Carlos: IT'S ME. 155 00:07:24,861 --> 00:07:26,780 I'VE BEEN CALLING YOU. WHY DID YOU HANG UP ON ME? 156 00:07:26,780 --> 00:07:29,157 YEAH, UM, SORRY ABOUT THAT. 157 00:07:29,157 --> 00:07:31,618 WHAT ARE YOU DOING? WHO ARE YOU WITH? 158 00:07:31,618 --> 00:07:33,370 WHY DID YOU ASK ABOUT JOE? 159 00:07:33,370 --> 00:07:34,913 LOOK. I CAN'T TALK ABOUT IT OVER THE PHONE. 160 00:07:34,913 --> 00:07:36,373 IS JOE ALIVE? 161 00:07:36,373 --> 00:07:38,625 NOT OVER THE PHONE. MEET ME IN PERSON, 162 00:07:38,625 --> 00:07:39,960 AND I'LL EXPLAIN EVERYTHING. 163 00:07:39,960 --> 00:07:41,378 JUST COME ALONE. 164 00:07:41,378 --> 00:07:42,754 GET A PEN AND SOME PAPER. 165 00:07:42,754 --> 00:07:44,464 I'LL GIVE YOU DIRECTIONS. 166 00:07:44,464 --> 00:07:46,716 SPEAKING FRENCH 167 00:07:51,012 --> 00:07:52,306 DON'T WORRY. I'LL-- I'LL BE CAREFUL. 168 00:07:57,518 --> 00:07:59,646 MISS GRAY? RYAN HARDY IS HERE TO SEE YOU. 169 00:07:59,646 --> 00:08:00,647 PLEASE LET HIM IN. 170 00:08:02,232 --> 00:08:03,608 - WE'RE JUST DOWNSTAIRS. - THANK YOU. 171 00:08:05,319 --> 00:08:06,903 IT'S GOOD TO SEE YOU. 172 00:08:06,903 --> 00:08:09,656 - HOW'S DAVID? - DAVID'S IN GOOD SPIRITS. 173 00:08:09,656 --> 00:08:11,491 I WAS WITH HIM ALL MORNING AT THE HOSPITAL. 174 00:08:11,491 --> 00:08:13,160 THEY'LL RELEASE HIM TOMORROW. 175 00:08:13,160 --> 00:08:15,203 I'M SO SORRY FOR EVERYTHING. 176 00:08:15,203 --> 00:08:17,164 YOU KEEP APOLOGIZING. 177 00:08:17,164 --> 00:08:18,665 IT'S NOT YOUR FAULT. 178 00:08:18,665 --> 00:08:19,874 YEAH, IT IS. 179 00:08:22,501 --> 00:08:24,296 WILL THE FBI FIND THEM? 180 00:08:24,296 --> 00:08:25,713 EVENTUALLY. 181 00:08:25,713 --> 00:08:28,675 THESE ARE VERY SMART, ORGANIZED PEOPLE. 182 00:08:28,675 --> 00:08:31,345 AS INSANE AS THEY ARE, JOE CARROLL'S GROUPIES ARE 183 00:08:31,345 --> 00:08:33,512 BEYOND RESOURCEFUL. 184 00:08:33,512 --> 00:08:35,015 BUT WHEN THEY FIND THEM, THERE WILL BE MORE. 185 00:08:38,518 --> 00:08:39,978 THIS IS WHAT'S BECOME OF OUR SOCIETY, 186 00:08:41,688 --> 00:08:44,565 THIS OBSESSION WITH VIOLENCE, 187 00:08:44,565 --> 00:08:46,901 THE NEED TO EXPRESS IT IN ITS PUREST FORM. 188 00:08:49,404 --> 00:08:50,655 I MUCH PREFER IT IN ART. 189 00:08:54,868 --> 00:08:57,704 WELL, YEAH, I JUST CAME BY TO CHECK ON YOU, 190 00:08:57,704 --> 00:08:59,873 SO I SHOULD PROBABLY BE GOING. 191 00:08:59,873 --> 00:09:00,915 WILL YOU COME BACK? 192 00:09:02,334 --> 00:09:04,002 CHECK IN ON ME AGAIN? 193 00:09:04,002 --> 00:09:04,961 YEAH, SURE, IF YOU WANT. 194 00:09:07,839 --> 00:09:09,341 I'M GETTING USED TO HAVING YOU AROUND. 195 00:09:16,014 --> 00:09:18,599 Judy: THE REVEREND WAS A GOOD MAN. 196 00:09:18,599 --> 00:09:20,852 MAMA, HE RECOGNIZED JOE FROM TV. 197 00:09:20,852 --> 00:09:21,978 WE HAD TO DO SOMETHING. 198 00:09:21,978 --> 00:09:22,979 I UNDERSTAND THAT, 199 00:09:24,605 --> 00:09:27,775 BUT YOU DIDN'T HAVE TO KILL HIM. 200 00:09:27,775 --> 00:09:30,445 I DON'T THINK YOU'RE SEEING THE BIGGER PICTURE, JUDY. 201 00:09:30,445 --> 00:09:33,614 I'M SORRY. YOU KILLED REVEREND GLEN. 202 00:09:33,614 --> 00:09:34,866 WHAT PART DID I MISS? 203 00:09:34,866 --> 00:09:36,451 WOULD YOU RATHER CALL THE POLICE, 204 00:09:38,161 --> 00:09:39,496 TELL THEM THAT YOU'VE BEEN HARBORING 205 00:09:39,496 --> 00:09:42,082 A SERIAL KILLER FOR THE BEST PART OF A YEAR? 206 00:09:42,082 --> 00:09:44,042 WHAT DO YOU THINK THEY'RE GONNA SAY WHEN THEY LEARN 207 00:09:44,042 --> 00:09:45,377 THAT YOU AND I WERE PEN PALS 208 00:09:45,377 --> 00:09:46,503 WHEN I WAS IN PRISON? 209 00:09:46,503 --> 00:09:48,629 I WAS NEVER PART OF YOUR CULT. 210 00:09:48,629 --> 00:09:52,426 YOU DID WRITE LETTERS DECLARING YOUR LOVE FOR ME, YEAH, 211 00:09:52,426 --> 00:09:55,470 SAYING YOU COULD-- YOU COULD FIX ME? 212 00:09:55,470 --> 00:09:57,764 SO I CAME HERE FOR YOU. 213 00:09:57,764 --> 00:09:59,891 AND I DID FIX YOU! 214 00:09:59,891 --> 00:10:01,809 FOR A YEAR. 215 00:10:01,809 --> 00:10:03,644 YOU WERE DOING SO WELL. 216 00:10:03,644 --> 00:10:07,148 I KNOW, JUDY. I...I KNOW, 217 00:10:07,148 --> 00:10:11,194 BUT YOU KNOW I FINALLY REALIZED THAT 218 00:10:11,194 --> 00:10:15,407 ONCE AN ALCOHOLIC, ALWAYS AN ALCOHOLIC, 219 00:10:15,407 --> 00:10:16,783 AND TO LIVE ONE'S ENTIRE LIFE 220 00:10:16,783 --> 00:10:18,993 WITHOUT HAVING A SCOTCH OR TWO IS REALLY... 221 00:10:20,370 --> 00:10:21,871 NOT A LIFE WORTH LIVING. 222 00:10:24,207 --> 00:10:26,709 WHAT ARE YOU GONNA DO? 223 00:10:26,709 --> 00:10:29,087 WELL, COME NIGHTFALL, I AM GONNA SAY GOOD-BYE 224 00:10:29,087 --> 00:10:31,672 TO THIS LITTLE SLICE OF HEAVEN, 225 00:10:31,672 --> 00:10:32,924 AND I AM GONNA LEAVE. 226 00:10:34,342 --> 00:10:36,136 PLEASE, JOE. DON'T. 227 00:10:36,136 --> 00:10:38,972 WE CAN BURY THE REVEREND. 228 00:10:38,972 --> 00:10:41,558 THINGS CAN GO BACK HOW THEY WERE BEFORE. 229 00:10:41,558 --> 00:10:43,726 WHAT'S GONNA HAPPEN TO US? 230 00:10:43,726 --> 00:10:44,769 WELL, IF YOU'RE SMART, 231 00:10:45,937 --> 00:10:46,938 YOU'LL SAY NOTHING. 232 00:10:48,523 --> 00:10:52,444 I WOULD HATE IT IF ANYTHING BAD 233 00:10:54,154 --> 00:10:56,030 WERE TO HAPPEN TO EITHER ONE OF YOU. 234 00:11:41,700 --> 00:11:43,119 WHAT THE HELL ARE YOU DOING HERE? 235 00:11:43,119 --> 00:11:45,038 NO, RYAN. 236 00:11:45,038 --> 00:11:46,831 WHAT THE HELL ARE YOU DOING HERE? 237 00:11:55,006 --> 00:11:56,633 YOU PULLED YOUR LIFE TOGETHER. 238 00:11:56,633 --> 00:11:59,427 YOU'RE SOBER, HEALTHY. 239 00:11:59,427 --> 00:12:00,803 IT WAS ALL A LIE. 240 00:12:00,803 --> 00:12:02,138 NO. IT'S NOT ALL A LIE. 241 00:12:02,138 --> 00:12:04,891 NO! THIS IS A LIE, 242 00:12:04,891 --> 00:12:06,434 AND I HATE THAT I WAS RIGHT ABOUT IT, 243 00:12:06,434 --> 00:12:07,768 BUT YOU'VE BEEN HUNTING JOE'S FOLLOWERS. 244 00:12:07,768 --> 00:12:08,811 YOU FOUND CARLOS. 245 00:12:08,811 --> 00:12:09,770 WHAT ELSE DO YOU KNOW? 246 00:12:11,064 --> 00:12:14,317 AND THIS ABOUT JOE? 247 00:12:14,317 --> 00:12:15,734 YOU NEED TO START TALKING, RYAN. 248 00:12:21,199 --> 00:12:22,200 WE KNOW YOUR NIECE IS INVOLVED. 249 00:12:23,577 --> 00:12:25,161 NO. NOT ANYMORE. SHE'S CLEAN. 250 00:12:25,161 --> 00:12:26,538 MIKE, DO NOT GO AFTER HER. 251 00:12:26,538 --> 00:12:28,081 THEN YOU NEED TO TALK TO ME. 252 00:12:28,081 --> 00:12:30,124 WHY DO YOU THINK JOE IS STILL ALIVE? 253 00:12:30,124 --> 00:12:31,876 DOESN'T MATTER. YOU'RE NOT GONNA BELIEVE ME ANYWAY. 254 00:12:31,876 --> 00:12:33,752 I HAVE NO PROOF, IT'S JUST A THEORY. 255 00:12:33,752 --> 00:12:36,047 IT'S--IT'S A LUNATIC'S CONSPIRACY THEORY. 256 00:12:36,047 --> 00:12:37,131 ALL RIGHT. LET ME DECIDE THAT. 257 00:12:38,383 --> 00:12:39,758 WHEN I WAS DOING RESEARCH ON JOE, 258 00:12:39,758 --> 00:12:41,344 I WENT TO ENGLAND, I VISITED THE TOWN 259 00:12:41,344 --> 00:12:42,512 THAT HE GREW UP IN, I TALKED TO THE-- 260 00:12:42,512 --> 00:12:44,222 YEAH. I READ YOUR BOOK. I KNOW THIS. 261 00:12:44,222 --> 00:12:45,890 - HIS FAMILY'S ALL DEAD. - I SAT IN A PUB, 262 00:12:46,933 --> 00:12:49,060 MOSTLY I DRANK, 263 00:12:49,060 --> 00:12:51,812 BUT I DID LEARN THAT HIS FATHER WAS A VERY PROMISCUOUS MAN, 264 00:12:51,812 --> 00:12:55,108 AND THERE WAS GOSSIP THAT A CHILD WAS BORN FROM IT. 265 00:12:55,108 --> 00:12:57,193 AND THIS CHILD WAS... 266 00:12:57,193 --> 00:12:58,819 WILLIAM HALSTON. 267 00:13:00,321 --> 00:13:02,407 WENT MISSING 14 MONTHS AGO. 268 00:13:02,407 --> 00:13:04,075 I CAN EVEN PLACE TWO OF RODERICK'S MILITIA MEN 269 00:13:04,075 --> 00:13:05,577 IN THE SAME CITY 270 00:13:05,577 --> 00:13:07,786 AT THE TIME WHEN HIS DISAPPEARANCE WAS FIRST NOTICED. 271 00:13:07,786 --> 00:13:09,456 AND YOU THINK HALSTON'S BODY IS WHAT WE FOUND 272 00:13:09,456 --> 00:13:11,082 IN THE ASHES AND JOE DISAPPEARED SOMEHOW? 273 00:13:11,082 --> 00:13:14,085 SAME HEIGHT, SAME WEIGHT, SAME BODY TYPE. 274 00:13:14,085 --> 00:13:15,462 PLUS HIS Y CHROMOSOME 275 00:13:15,462 --> 00:13:17,547 WOULD BE A MATCH TO JOEY'S DNA. 276 00:13:17,547 --> 00:13:20,258 RYAN, I PERSONALLY PULLED THE PHYSICAL DNA FROM THE ARCHIVE. 277 00:13:20,258 --> 00:13:21,968 THE DNA THAT CONVICTED JOE, THAT PUT HIM AWAY, 278 00:13:21,968 --> 00:13:23,219 I TESTED IT MYSELF. 279 00:13:23,219 --> 00:13:25,221 THE DNA WAS IN AN ARCHIVE WAREHOUSE 280 00:13:25,221 --> 00:13:27,056 IN BEACON THAT WAS BROKEN INTO 14 MONTHS AGO. 281 00:13:27,056 --> 00:13:28,433 OH, AND YOU THINK THE DNA GOT SWITCHED OUT. 282 00:13:28,433 --> 00:13:31,144 LOOK. I KNOW MISTAKES WERE MADE. 283 00:13:31,144 --> 00:13:34,355 WE UNDERESTIMATED THAT CULT AT EVERY SINGLE TURN, BUT WHAT YOU'RE SUGGESTING 284 00:13:34,355 --> 00:13:36,107 WOULD REQUIRE A LEVEL OF DETAIL THAT I DON'T THINK IS POSSIBLE. 285 00:13:36,107 --> 00:13:37,692 IT WOULD NEED TO BE A CLOSE MATCH IN CASE 286 00:13:37,692 --> 00:13:39,653 THEY TESTED IT AGAINST HIS SON'S DNA, 287 00:13:39,653 --> 00:13:40,779 WHICH YOU DID. 288 00:13:42,113 --> 00:13:44,198 I KNOW. IT'S CRAZY. 289 00:13:45,742 --> 00:13:46,785 SO AM I. 290 00:13:57,128 --> 00:13:58,879 YOU HAVE EARNED YOUR CRAZY, RYAN. 291 00:14:00,047 --> 00:14:01,341 THIS IS ABOUT SOMETHING ELSE. 292 00:14:03,050 --> 00:14:05,261 WE CAN'T CHANGE WHAT'S HAPPENED. 293 00:14:05,261 --> 00:14:06,513 WHAT'S DONE IS DONE. 294 00:14:08,765 --> 00:14:09,848 CLAIRE'S DEAD. 295 00:14:12,268 --> 00:14:13,269 DEBRA'S DEAD, 296 00:14:14,895 --> 00:14:16,606 AND SO IS JOE CARROLL. 297 00:14:24,531 --> 00:14:25,532 WESTON. 298 00:14:27,283 --> 00:14:28,743 YEAH. I'M ON MY WAY. 299 00:14:28,743 --> 00:14:31,538 - I GOT TO GO. - WHAT--WHAT IS IT? 300 00:14:31,538 --> 00:14:32,872 HEY. COME ON. I TOLD YOU WHAT I KNOW. 301 00:14:32,872 --> 00:14:34,332 WE FOUND SOMETHING ON EMMA HILL. 302 00:14:34,332 --> 00:14:35,916 IF IT PROVES ANYTHING, I WILL LET YOU KNOW. 303 00:14:37,627 --> 00:14:39,629 AND I'M NOT GONNA TELL MENDEZ ABOUT THIS. 304 00:14:39,629 --> 00:14:40,880 SHE WILL LOCK YOU UP. 305 00:14:40,880 --> 00:14:42,298 I'M TAKING CARLOS' BAG, 306 00:14:42,298 --> 00:14:45,051 BUT, RYAN, I NEED TO BE ABLE TO TRUST YOU 307 00:14:45,051 --> 00:14:46,177 FROM THIS SECOND FORWARD. 308 00:15:58,583 --> 00:16:00,627 WHOA, WHOA, STOP! WHAT ARE YOU DOING? 309 00:16:00,627 --> 00:16:02,295 THAT IS--THAT IS NO WAY TO SAY HI. 310 00:16:02,295 --> 00:16:03,755 WHERE'S CARLOS? 311 00:16:03,755 --> 00:16:05,005 HE DIDN'T COME. IT'S JUST ME. 312 00:16:05,005 --> 00:16:06,006 WHO ARE YOU? 313 00:16:06,006 --> 00:16:07,467 DON'T YOU RECOGNIZE ME? 314 00:16:07,467 --> 00:16:09,009 MY FACE IS ALL OVER THE NEWS. 315 00:16:09,009 --> 00:16:10,678 YES, AND YOU HAVE A TWIN BROTHER, 316 00:16:10,678 --> 00:16:12,388 BUT THAT DOESN'T ANSWER MY QUESTION. 317 00:16:12,388 --> 00:16:16,476 MY NAME'S MARK, EMMA, 318 00:16:16,476 --> 00:16:18,102 AND IT'S REALLY NICE TO MEET YOU. 319 00:16:20,897 --> 00:16:23,316 WHAT DO YOU GOT? 320 00:16:23,316 --> 00:16:25,735 WE PULLED ALL THE FOOTAGE FROM CARLOS PEREZ'S APARTMENT BUILDING. 321 00:16:25,735 --> 00:16:27,528 - HOPKINS HERE FOUND SOMETHING. - WHAT IS IT? 322 00:16:27,528 --> 00:16:30,030 WE GOT THIS FOOTAGE FROM A PIZZA PLACE ACROSS THE STREET. 323 00:16:30,030 --> 00:16:30,990 THE GIRL ON HOODIE. 324 00:16:33,159 --> 00:16:34,786 THAT'S EMMA HILL. 325 00:16:34,786 --> 00:16:36,162 YEAH, AND THAT'S NOT ALL. LAWRENCE. 326 00:16:36,162 --> 00:16:37,705 WE TRACKED HER TO A TRAIN STOP. 327 00:16:37,705 --> 00:16:39,998 SHE WENT TO JERSEY. 328 00:16:39,998 --> 00:16:41,000 GOT OFF IN BURLINGTON, 329 00:16:41,000 --> 00:16:42,710 AND, HOPKINS, YOUR TURN. 330 00:16:42,710 --> 00:16:44,838 I PICK HER UP ON THE FOURTH BLOCK OF PETRIE AND BOWER. 331 00:16:44,838 --> 00:16:46,506 WAIT A SECOND. IS SHE ENTERING THAT RESIDENCE? 332 00:16:46,506 --> 00:16:47,590 WE JUST GOT AN ADDRESS. 333 00:16:47,590 --> 00:16:48,883 LISTEN. I NEED AIR TRANSPORT, 334 00:16:48,883 --> 00:16:50,844 ATF, SWAT, STATE POLICE NOW. 335 00:16:53,220 --> 00:16:55,765 I DON'T WANT TO BE HERE WITHOUT YOU. 336 00:16:57,433 --> 00:16:58,685 PLEASE DON'T GO. 337 00:17:03,063 --> 00:17:05,232 SWEET PEA, I HAVE TO GO. 338 00:17:05,232 --> 00:17:07,527 IT'S JUST I... 339 00:17:07,527 --> 00:17:10,196 I NEVER KNEW MY DAD. 340 00:17:10,196 --> 00:17:12,657 HE WAS SOME GUY MY MAMA HOOKED UP WITH. 341 00:17:14,200 --> 00:17:17,411 THERE'S BEEN NO ONE BUT YOU. 342 00:17:22,249 --> 00:17:25,712 YOU KNOW, I AM NEVER GONNA FORGET YOU, MY LOVE. 343 00:17:28,548 --> 00:17:29,507 Judy: MANDY! 344 00:17:32,385 --> 00:17:33,594 LET ME AND JOE HAVE A WORD? 345 00:17:49,527 --> 00:17:50,653 SO WHERE ARE YOU GONNA GO? 346 00:17:52,112 --> 00:17:54,156 NOT REALLY SURE. 347 00:17:54,156 --> 00:17:56,367 PROBABLY BEST NOT TO KNOW THAT. 348 00:17:56,367 --> 00:17:58,661 AND IF THE POLICE DO COME SNIFFING? 349 00:17:59,829 --> 00:18:00,788 HEH HEH. 350 00:18:12,174 --> 00:18:13,259 IT IS EMPTY. 351 00:18:13,259 --> 00:18:15,929 I TOOK ALL THE BULLETS OUT. 352 00:18:15,929 --> 00:18:18,138 REALLY? 353 00:18:18,138 --> 00:18:19,766 YOU'RE GONNA TRY AND KILL ME? 354 00:18:19,766 --> 00:18:21,267 BEFORE YOU KILL US. 355 00:18:21,267 --> 00:18:24,395 OH. AREN'T YOU THE SMART ONE, HUH? 356 00:18:24,395 --> 00:18:25,521 AAH! 357 00:18:28,983 --> 00:18:30,526 AAH! AAH! 358 00:18:30,526 --> 00:18:33,780 SADLY, JUDY, I AM NO LONGER IN NEED 359 00:18:33,780 --> 00:18:35,782 OF YOUR UTOPIAN SLUT PALACE, 360 00:18:35,782 --> 00:18:39,326 BUT I THANK YOU FOR YOUR HOSPITALITY 361 00:18:39,326 --> 00:18:40,870 [18:38](ALL THE SAME.) 362 00:18:42,413 --> 00:18:43,915 Mandy: NO, JOE! DON'T! JOE! 363 00:18:46,584 --> 00:18:47,668 PLEASE. 364 00:18:47,668 --> 00:18:48,669 PLEASE. 365 00:18:54,634 --> 00:18:55,676 OHH! AAH! 366 00:18:59,013 --> 00:19:00,139 IT'S OK. 367 00:19:02,976 --> 00:19:04,184 IS JOE ALIVE? 368 00:19:04,184 --> 00:19:05,311 ACCORDING TO CARLOS. 369 00:19:06,479 --> 00:19:07,688 HE'S ACTUALLY SEEN HIM? 370 00:19:07,688 --> 00:19:09,857 YES. SO HE SAYS. 371 00:19:09,857 --> 00:19:12,443 MY--MY BROTHER BELIEVES HIM. 372 00:19:12,443 --> 00:19:15,989 HE ALSO SAID RODERICK HAD PLANS TO SWITCH JOE'S DNA 373 00:19:15,989 --> 00:19:16,948 SO THEY COULD FAKE HIS DEATH. 374 00:19:20,326 --> 00:19:21,410 YOU LOOK ANGRY. 375 00:19:23,079 --> 00:19:24,038 NO. 376 00:19:25,205 --> 00:19:26,206 IT'S JUST... 377 00:19:28,459 --> 00:19:29,961 WHY DIDN'T JOE TELL ME ANY OF THIS? 378 00:19:31,921 --> 00:19:34,214 I'M SURE HE HAD HIS REASONS. 379 00:19:34,214 --> 00:19:35,842 AND EVERYONE HAS THEIR REASONS. 380 00:19:38,761 --> 00:19:40,596 SO YOU PLANNED THESE MURDERS TO TRY 381 00:19:40,596 --> 00:19:42,473 - TO LURE JOE OUT OF HIDING? - THAT'S THE IDEA. 382 00:19:42,473 --> 00:19:43,599 WHAT MAKES YOU THINK HE'LL CALL? 383 00:19:44,809 --> 00:19:47,227 THE MAN'S A NARCISSIST. 384 00:19:47,227 --> 00:19:49,105 IT'S NOT A JUDGMENT. IT'S A FACT. 385 00:19:49,105 --> 00:19:51,231 I DON'T THINK HE CAN RESIST. 386 00:19:51,231 --> 00:19:53,567 HE'LL BE TOO CURIOUS. 387 00:19:55,945 --> 00:19:56,946 YOU CALLED. 388 00:20:00,033 --> 00:20:01,325 HOW MANY OF JOE'S FOLLOWERS LIVE WITH YOU? 389 00:20:06,039 --> 00:20:07,623 THERE ARE 7 OF US. 390 00:20:07,623 --> 00:20:08,958 YOU'RE LUCKY. THEY'VE PRETTY MUCH 391 00:20:08,958 --> 00:20:10,334 ROUNDED UP EVERYONE ELSE. 392 00:20:12,252 --> 00:20:13,963 HOW MANY ARE WITH YOU? 393 00:20:13,963 --> 00:20:15,506 YOU WANT TO FIND OUT? 394 00:20:15,506 --> 00:20:16,674 I COULD TAKE YOU TO THEM. 395 00:20:17,717 --> 00:20:18,801 WHY WOULD I GO WITH YOU? 396 00:20:19,969 --> 00:20:21,220 BECAUSE WE'RE GONNA FIND JOE. 397 00:20:24,140 --> 00:20:26,225 COME ON. YOU WANT TO COME? I KNOW YOU DO. 398 00:20:28,728 --> 00:20:30,396 HAVE YOU READ THE BOOK, YET 399 00:20:30,396 --> 00:20:32,148 "THE HAVENPORT TRAGEDY"? 400 00:20:32,148 --> 00:20:33,774 MAYBE. 401 00:20:33,774 --> 00:20:36,069 WELL, IN THE BOOK, YOU'RE PORTRAYED AS 402 00:20:36,069 --> 00:20:38,654 A RISK TAKER AND IMPULSIVE, 403 00:20:38,654 --> 00:20:41,281 SO--SO DO IT, TAKE A RISK. 404 00:20:52,543 --> 00:20:53,627 SHOULD I BE AFRAID? 405 00:20:57,048 --> 00:20:58,216 DO YOU FEEL FEAR? 406 00:20:59,299 --> 00:21:01,260 I--I STRUGGLE WITH IT. 407 00:21:01,260 --> 00:21:02,970 I CAN IDENTIFY IT IN OTHERS, BUT... 408 00:21:04,680 --> 00:21:07,100 I HAVE A HARD TIME EXPERIENCING IT MYSELF. 409 00:21:12,730 --> 00:21:16,150 OK. I'LL GO WITH YOU. 410 00:21:32,499 --> 00:21:33,751 IS EMMA BACK YET? 411 00:21:33,751 --> 00:21:35,128 UH-UH. 412 00:21:35,128 --> 00:21:36,087 NO. 413 00:21:44,845 --> 00:21:46,764 Man on radio: CHARLIE TEAM IN POSITION. 414 00:21:50,184 --> 00:21:52,728 Different man: INFRARED VIDEO SHOWS 6 OCCUPANTS INSIDE-- 415 00:21:52,728 --> 00:21:54,021 3 DOWNSTAIRS, 3 UPSTAIRS, 416 00:21:54,021 --> 00:21:55,815 BUT THE BASEMENT IS AN UNKNOWN. 417 00:21:55,815 --> 00:21:58,609 I HAVE TACTICAL TEAMS READY TO BREACH THE FRONT AND BACK, 418 00:21:58,609 --> 00:22:01,070 SNIPERS ON ROOFTOPS HERE, HERE, AND HERE. 419 00:22:01,070 --> 00:22:02,738 LET'S DO IT. TAKE IT DOWN. 420 00:22:07,326 --> 00:22:08,995 Man on radio: BRAVO TEAM IN POSITION. 421 00:22:08,995 --> 00:22:10,913 ALL TEAMS IN POSITION. GO, GO, GO! 422 00:22:14,917 --> 00:22:16,002 TAC, MOVE! LET'S GO. 423 00:22:18,504 --> 00:22:19,463 Man: FOLLOW ME! 424 00:22:24,218 --> 00:22:25,219 STOP! FBI! 425 00:22:47,533 --> 00:22:48,993 DROP THE KNIFE! DO IT NOW! 426 00:22:48,993 --> 00:22:50,244 UNH! [GROANS] 427 00:23:02,923 --> 00:23:04,884 WHAT THE HELL IS HE DOING HERE? 428 00:23:04,884 --> 00:23:06,510 WHO ELSE IS INSIDE? IS THAT HANNAH? 429 00:23:06,510 --> 00:23:08,221 YOU CAN'T BE HERE. I SAID I'D CALL. 430 00:23:08,221 --> 00:23:10,181 WHAT ABOUT EMMA? DID YOU GET HER? WHAT ABOUT THE TWINS? 431 00:23:10,181 --> 00:23:11,182 GOT EVERYBODY BUT EMMA AND CARLOS 432 00:23:11,182 --> 00:23:12,933 AND THE TWINS. 433 00:23:12,933 --> 00:23:15,144 ENOUGH. MR. HARDY, DO YOU KNOW ANYTHING ABOUT THIS PLACE? 434 00:23:15,144 --> 00:23:17,437 - NOPE. - WELL, THEN YOU'RE OF NO USE TO US, 435 00:23:17,437 --> 00:23:19,481 -AND I INSIST YOU LEAVE. -YOU GOT IT. 436 00:23:19,481 --> 00:23:21,234 AS A MATTER OF FACT, FROM THIS MOMENT FORWARD, 437 00:23:21,234 --> 00:23:23,277 THIS ENTIRE INVESTIGATION IS OFF LIMITS. 438 00:23:23,277 --> 00:23:25,321 THAT INCLUDES LILY GRAY. 439 00:23:25,321 --> 00:23:26,906 YOU UNDERSTAND ME? 440 00:23:26,906 --> 00:23:27,948 OKAY. 441 00:23:27,948 --> 00:23:29,200 I WILL ARREST YOU. 442 00:23:30,993 --> 00:23:31,994 GET OUT OF HERE. 443 00:23:48,844 --> 00:23:50,428 WE BOTH KNOW YOU'RE NOT SUPPOSED TO BE HERE, 444 00:23:50,428 --> 00:23:51,555 SO TURN YOURSELF AROUND. 445 00:23:52,848 --> 00:23:53,849 -HI. -HI. 446 00:23:53,849 --> 00:23:55,601 YOU CAME BACK. 447 00:23:55,601 --> 00:23:58,896 MA'AM, I HAVE ORDERS TO SEND MR. HARDY AWAY. 448 00:23:58,896 --> 00:24:00,814 THAT'S RIDICULOUS. COME ON UP. 449 00:24:04,151 --> 00:24:06,153 I'VE BEEN WATCHING THE NEWS. WHAT HAPPENED? 450 00:24:06,153 --> 00:24:08,864 THE FBI RAIDED A FOLLOWER SAFE HOUSE, 451 00:24:08,864 --> 00:24:11,200 KILLED 5 PEOPLE AND ARRESTED A SIXTH. 452 00:24:11,200 --> 00:24:14,161 OH, MY GOD. DID THEY GET ALL OF THEM? 453 00:24:14,161 --> 00:24:16,496 THEY WERE FROM THE HAVENPORT CULT. 454 00:24:16,496 --> 00:24:18,249 THE ONES FROM THE SUBWAY ARE STILL OUT THERE. 455 00:24:20,042 --> 00:24:21,877 OH. WOW. 456 00:24:21,877 --> 00:24:24,755 HEY, LISTEN. I CAME BY TO TELL YOU THAT 457 00:24:24,755 --> 00:24:26,632 I HAVE TO SAY GOOD-BYE FOR NOW. 458 00:24:26,632 --> 00:24:28,092 WHY? 459 00:24:28,092 --> 00:24:29,176 I CAN'T BE A PART OF THIS ANYMORE. 460 00:24:29,176 --> 00:24:31,469 IT'S FOR YOUR OWN SAFETY. 461 00:24:34,014 --> 00:24:35,599 BECAUSE PEOPLE YOU CARE ABOUT GET HURT. 462 00:24:38,518 --> 00:24:42,022 I DIDN'T KNOW ABOUT JOE'S WIFE CLAIRE. 463 00:24:43,565 --> 00:24:44,524 WE MOVE ON. 464 00:24:45,943 --> 00:24:48,028 YEAH. WE MUST MOVE ON. 465 00:24:49,822 --> 00:24:50,781 HAVE YOU? 466 00:24:54,368 --> 00:24:56,078 TO TELL YOU THE TRUTH, I'M NOT SURE. 467 00:24:57,204 --> 00:24:58,372 AFTER CLAIRE DIED, 468 00:25:00,207 --> 00:25:03,669 I, UH, LOST MY MIND. 469 00:25:03,669 --> 00:25:04,670 I WAS LIVING IN THE BOTTLE, 470 00:25:04,670 --> 00:25:06,297 MY HEALTH WENT SOUTH. 471 00:25:06,297 --> 00:25:07,256 I DID THINGS-- 472 00:25:09,716 --> 00:25:11,551 I DID A LOT OF THINGS TO DISTRACT 473 00:25:11,551 --> 00:25:12,552 FROM THE GUILT. 474 00:25:14,263 --> 00:25:15,306 UNDERSTANDABLE. 475 00:25:18,351 --> 00:25:21,687 DO YOU BELIEVE THINGS HAPPEN FOR A REASON? 476 00:25:21,687 --> 00:25:25,191 EHNN. UM, I'M NOT SO BIG ON FATE. 477 00:25:27,193 --> 00:25:28,526 ME NEITHER. 478 00:25:30,237 --> 00:25:33,240 YOU KNOW, I BELIEVE THAT OUR DECISIONS 479 00:25:33,240 --> 00:25:35,533 AND OUR MISTAKES DEFINE US, 480 00:25:35,533 --> 00:25:37,786 BUT LATELY I DON'T KNOW. 481 00:25:42,749 --> 00:25:45,294 WHY WAS I ON THAT SUBWAY? 482 00:25:45,294 --> 00:25:47,296 I NEVER TAKE IT. 483 00:25:47,296 --> 00:25:50,132 BUT I WAS IN A HURRY TO GET HOME, YOU KNOW? I-- 484 00:25:51,217 --> 00:25:52,468 Woman: SORRY TO BOTHER YOU, 485 00:25:52,468 --> 00:25:54,345 BUT DAVID'S BUYERS SHOWED UP. 486 00:25:54,345 --> 00:25:56,138 OH. I'LL BE RIGHT DOWN. 487 00:25:56,138 --> 00:26:00,642 LISTEN. IF YOU'RE STAYING, 488 00:26:00,642 --> 00:26:03,561 WOULD YOU LIKE TO HAVE DINNER WITH ME LATER? 489 00:26:04,897 --> 00:26:06,399 UH, SURE. 490 00:26:06,399 --> 00:26:07,358 OK. 491 00:26:10,861 --> 00:26:13,406 Woman on TV: AT LEAST 5 ARE DEAD IN THE SHOOTOUT. 492 00:26:13,406 --> 00:26:15,991 ONE PERSON HAS BEEN TAKEN INTO CUSTODY. 493 00:26:15,991 --> 00:26:18,327 WHILE THEIR IDENTITIES HAVE NOT YET BEEN RELEASED, 494 00:26:18,327 --> 00:26:21,914 THE FBI HAS CONFIRMED THAT THEY ARE, IN FACT, 495 00:26:21,914 --> 00:26:25,751 FUGITIVE MEMBERS OF JOE CARROLL'S HAVENPORT CULT, 496 00:26:25,751 --> 00:26:27,627 THOUGH THE EXTENT OF THEIR INVOLVEMENT 497 00:26:27,627 --> 00:26:29,796 IN THE RECENT NEW YORK CITY ATTACKS 498 00:26:29,796 --> 00:26:31,173 IS STILL UNCLEAR. 499 00:26:31,173 --> 00:26:34,427 DAMN! THOSE FOOLS GOT TAKEN OUT. 500 00:26:42,768 --> 00:26:44,602 [DOOR OPENS] HEY. 501 00:26:51,527 --> 00:26:53,112 THIS IS EMMA. 502 00:26:53,112 --> 00:26:55,489 EMMA, THIS IS LUKE, GISELLE, 503 00:26:55,489 --> 00:26:56,865 AND YOU KNOW CARLOS. 504 00:26:56,865 --> 00:26:58,158 NOT REALLY. 505 00:26:58,158 --> 00:26:59,659 HI. 506 00:26:59,659 --> 00:27:01,036 I'M NOT SURE IF BRINGING HER HERE 507 00:27:01,036 --> 00:27:02,788 WAS THE SMARTEST PLAY, BRO. 508 00:27:02,788 --> 00:27:04,164 IT'S OK. SHE'S COOL. 509 00:27:04,164 --> 00:27:05,207 OOH! 510 00:27:08,961 --> 00:27:10,504 Carlos: THEY DO THIS FRENCH TALKING THING ALL THE TIME. 511 00:27:10,504 --> 00:27:12,172 IT DRIVES ME CRAZY. 512 00:27:12,172 --> 00:27:13,507 WHY DIDN'T YOU TELL US JOE WAS ALIVE? 513 00:27:13,507 --> 00:27:14,758 BECAUSE I TOLD HIM NOT TO. 514 00:27:18,053 --> 00:27:19,930 I DIDN'T KNOW IF WE COULD TRUST YOU PEOPLE. 515 00:27:19,930 --> 00:27:21,681 NOW I GUESS IT'S A MOOT POINT. 516 00:27:21,681 --> 00:27:22,640 WHAT DO YOU MEAN? 517 00:27:24,851 --> 00:27:26,395 Woman on TV: ...BUT WHAT WE DO KNOW-- 518 00:27:26,395 --> 00:27:29,482 JUST TO RECAP-- IS THAT 5 CULT MEMBERS 519 00:27:29,482 --> 00:27:32,192 WERE KILLED TODAY AND A SIXTH WAS CAPTURED 520 00:27:32,192 --> 00:27:34,361 AND TAKEN INTO CUSTODY. 521 00:27:34,361 --> 00:27:36,489 I'D SAY THAT DAY WITH MY BROTHER JUST SAVED YOUR LIFE. 522 00:27:43,370 --> 00:27:44,830 YOU'RE GONNA TAPE THIS TO MAKE IT LOOK 523 00:27:44,830 --> 00:27:45,998 LIKE THE REVEREND KILLED ME AND THEN SPLIT, 524 00:27:45,998 --> 00:27:47,958 BUT NOBODY'S GONNA BELIEVE THAT. 525 00:27:47,958 --> 00:27:49,960 OH, WHEN THEY DIG AROUND, I THINK THEY'LL REALIZE 526 00:27:49,960 --> 00:27:52,712 THAT THE REVEREND ISN'T QUITE AS GODLY 527 00:27:52,712 --> 00:27:53,964 AS HE APPEARED TO BE. 528 00:27:59,345 --> 00:28:01,430 WHERE'S MY BLOODY KNIFE? 529 00:28:07,102 --> 00:28:08,812 SWEETIE, IT'S RIGHT THERE. 530 00:28:11,482 --> 00:28:12,732 YOU CAN DO THIS. 531 00:28:21,867 --> 00:28:23,994 OH, MANDY DARLING, THE TIME FOR THIS HAS PASSED. 532 00:28:23,994 --> 00:28:24,995 BE A LOVE. PUT THE KNIFE DOWN, HUH? 533 00:28:24,995 --> 00:28:26,746 NO. I DON'T WANT TO DIE. 534 00:28:26,746 --> 00:28:28,874 HONEY, STAB HIM. 535 00:28:28,874 --> 00:28:31,418 MANDY, STAB HIM! STAB HIM, HONEY! 536 00:28:31,418 --> 00:28:34,380 STAB HIM, HONEY! DO IT! DO IT! 537 00:28:34,380 --> 00:28:35,713 DO IT! 538 00:28:35,713 --> 00:28:37,049 UNH! AAH! 539 00:28:40,511 --> 00:28:42,971 OH, NO! AAH! 540 00:28:45,474 --> 00:28:47,767 NO! AAH! 541 00:28:47,767 --> 00:28:49,603 NO! 542 00:28:49,603 --> 00:28:50,563 UNH! 543 00:28:54,441 --> 00:28:55,901 I'M SORRY, MAMA, 544 00:28:57,570 --> 00:29:00,239 BUT I CAN'T LET JOE GO. 545 00:29:00,239 --> 00:29:03,033 EITHER WAY, I'M DEAD, MAMA. 546 00:29:03,033 --> 00:29:04,577 LIVING HERE IS DEATH. 547 00:29:06,203 --> 00:29:07,162 UNH! 548 00:29:23,803 --> 00:29:24,763 SWEETIE 549 00:29:37,067 --> 00:29:39,278 FUN TIME'S OVER. 550 00:29:39,278 --> 00:29:41,029 TELL ME WHY WE SHOULD KEEP YOU AROUND. 551 00:29:42,781 --> 00:29:44,575 BECAUSE I WAS JOE'S NUMBER TWO. 552 00:29:44,575 --> 00:29:46,952 HE'LL COME TO ME. HE BARELY KNOWS CARLOS. 553 00:29:46,952 --> 00:29:48,828 THEN WHY'D HE HAVE ME PICK HIM UP AND NOT YOU? 554 00:29:48,828 --> 00:29:51,957 - MAN'S GOT A POINT. - CARLOS WAS JOE'S ERRAND BOY. 555 00:29:51,957 --> 00:29:53,375 I WAS HIS RIGHT HAND. 556 00:29:53,375 --> 00:29:55,085 I PROTECTED HIS SON. HE CARES ABOUT ME. 557 00:29:55,085 --> 00:29:56,211 CARLOS MEANS NOTHING TO HIM. 558 00:29:56,211 --> 00:29:57,630 SEE WHAT I MEAN? GIRL'S A BITCH. 559 00:29:57,630 --> 00:29:59,256 BUT MY BROTHER LIKES HER. 560 00:30:02,092 --> 00:30:04,762 AND NO ONE LIKES YOU. 561 00:30:08,098 --> 00:30:10,392 HEY, YOU DICK! 562 00:30:10,392 --> 00:30:11,685 HE WAS MINE TO KILL. 563 00:30:11,685 --> 00:30:12,811 SORRY. I'M SORRY. I FORGOT. 564 00:30:14,730 --> 00:30:16,022 LOOK. HE'S STILL BREATHING. 565 00:30:16,022 --> 00:30:17,023 YOU CAN FINISH HIM OFF. 566 00:30:18,776 --> 00:30:20,944 OH, COME ON. DON'T BE LIKE THAT. GISELLE! 567 00:30:39,797 --> 00:30:41,131 I NEED YOU TO CHECK SOMETHING FOR ME. 568 00:30:41,131 --> 00:30:43,216 YOU CAN'T BE HERE, RYAN. 569 00:30:43,216 --> 00:30:44,677 I'M TRYING TO BE YOUR FRIEND, BUT YOU'RE NOT HELPING YOURSELF. 570 00:30:44,677 --> 00:30:46,553 I KNOW, I KNOW. I'LL GO, 571 00:30:46,553 --> 00:30:50,182 BUT I-- I NEED YOU TO CHECK SOMETHING FOR ME. 572 00:30:50,182 --> 00:30:52,142 I THINK I SAW SOMETHING IN THE COMMAND CENTER. 573 00:30:52,142 --> 00:30:54,478 MY ASS IS ON THE LINE, RYAN. WHAT IS IT? 574 00:30:54,478 --> 00:30:56,689 CAN YOU SHOW ME THE FOOTAGE FROM THE SUBWAY ATTACK? 575 00:30:59,024 --> 00:31:00,025 TRUST ME. 576 00:31:01,568 --> 00:31:03,278 I HAVE IT ON MY SKYDRIVE. 577 00:31:03,278 --> 00:31:05,364 - WHAT DO YOU WANT TO SEE? - PLATFORM FOOTAGE. 578 00:31:05,364 --> 00:31:06,906 THE MOMENT LILY GOT ON THE TRAIN. 579 00:31:06,906 --> 00:31:09,451 I SAW SOMETHING EARLIER. I WANT TO CONFIRM IT. 580 00:31:09,451 --> 00:31:10,869 WHAT ARE YOU LOOKING FOR, RYAN? 581 00:31:13,706 --> 00:31:14,914 THERE. 582 00:31:14,914 --> 00:31:16,041 RIGHT THERE. 583 00:31:16,041 --> 00:31:17,209 WHAT TRAIN IS THAT? 584 00:31:17,209 --> 00:31:18,460 EXPRESS TRAIN. SO? 585 00:31:20,671 --> 00:31:22,589 SO WHY DIDN'T SHE GET ON IT? 586 00:31:22,589 --> 00:31:25,342 I DON'T KNOW. WHAT ARE YOU TALKING ABOUT? 587 00:31:25,342 --> 00:31:26,593 SHE SAID SHE WAS IN A HURRY. 588 00:31:28,637 --> 00:31:29,763 RYAN. 589 00:31:34,226 --> 00:31:36,520 Lily: ON THIS SIDE, WE HAVE AN ARTIST. 590 00:31:36,520 --> 00:31:38,063 HE IS FROM THE CAMARGUE. 591 00:31:38,063 --> 00:31:39,356 HE, UH... 592 00:31:39,356 --> 00:31:40,566 HE IS FROM A PLACE WHERE 593 00:31:40,566 --> 00:31:42,401 THERE ARE MANY TRADITIONS ABOUT HORSES, 594 00:31:42,401 --> 00:31:45,278 AND... OBVIOUSLY, THAT IS HIS THEME. 595 00:31:47,197 --> 00:31:48,948 AND OVER HERE WE HAVE 596 00:31:48,948 --> 00:31:51,535 THE LAST PAINTING OF THE COLLECTION. 597 00:31:51,535 --> 00:31:53,203 AS YOU CAN SEE, 598 00:31:53,203 --> 00:31:55,581 WE'RE STILL IN THE WORLD OF DREAMS. 599 00:32:11,304 --> 00:32:12,639 WILL YOU EXCUSE ME FOR A MINUTE? 600 00:32:12,639 --> 00:32:14,600 KIMMY, WOULD YOU JUST TAKE OVER HERE? 601 00:32:14,600 --> 00:32:15,684 - SURE. NO PROBLEM. - THANK YOU. 602 00:32:18,228 --> 00:32:19,772 HEY. WHAT'S GOING ON? 603 00:32:19,772 --> 00:32:22,023 LILY'S LYING. SHE'S IN ON IT. 604 00:32:22,023 --> 00:32:24,443 YOU KNOW, I'M JUST GONNA GRAB SOMETHING. 605 00:32:24,443 --> 00:32:26,319 Mike on radio: 10-0, 10-0. LILY MIGHT BE COMPROMISED. 606 00:32:40,958 --> 00:32:43,002 Mike: OH! DAMN IT! 607 00:32:43,002 --> 00:32:45,130 AGENT DOWN! 608 00:32:45,130 --> 00:32:47,006 LILY GRAY IS TO BE CONSIDERED ARMED AND DANGEROUS. 609 00:33:03,273 --> 00:33:04,399 WHERE'D SHE GO? [CLATTER] 610 00:33:04,399 --> 00:33:05,358 I HEARD SOMETHING. 611 00:33:08,069 --> 00:33:09,237 I GOT IT, I GOT IT. 612 00:33:42,312 --> 00:33:44,648 CALL 911! HE'S HAVING A HEART ATTACK! 613 00:33:44,648 --> 00:33:46,441 COME ON, FOLKS. GIVE US SOME ROOM HERE. 614 00:33:48,527 --> 00:33:49,528 MOVE BACK. 615 00:33:51,655 --> 00:33:52,656 EVERYBODY, MOVE BACK. 616 00:34:16,638 --> 00:34:17,723 Man: WE GOT THEM IN BOTH COLORS. 617 00:34:35,240 --> 00:34:36,700 HI. THEY KNOW. 618 00:34:36,700 --> 00:34:37,993 MEET ME AT WALKER AND CHURCH. 619 00:34:37,993 --> 00:34:39,036 HURRY. 620 00:35:14,320 --> 00:35:16,907 - HELLO. - HOW'D YOU KNOW? 621 00:35:16,907 --> 00:35:20,159 YOU SAID YOU WERE IN A HURRY, BUT YOU PASSED UP THE EXPRESS. 622 00:35:20,159 --> 00:35:21,703 I FEEL LIKE AN AMATEUR. 623 00:35:21,703 --> 00:35:23,622 AND WE WERE JUST ABOUT TO HAVE OUR FIRST DATE. 624 00:35:23,622 --> 00:35:25,624 HEH HEH. MY LOSS. 625 00:35:25,624 --> 00:35:27,876 TELL ME WHERE YOU ARE. WE COULD STILL GRAB A BITE. 626 00:35:27,876 --> 00:35:30,670 HEH. I'M AFRAID YOU'VE RUINED OUR ROMANCE, RYAN. 627 00:35:30,670 --> 00:35:32,213 I WOULDN'T CALL IT A ROMANCE. 628 00:35:32,213 --> 00:35:34,758 OH, DON'T MINIMIZE US. 629 00:35:34,758 --> 00:35:36,051 THERE WAS SOMETHING THERE. 630 00:35:36,051 --> 00:35:38,053 I FELT IT. 631 00:35:38,053 --> 00:35:40,806 AM I THE FIRST WOMAN YOU'VE OPENED UP TO SINCE CLAIRE? 632 00:35:40,806 --> 00:35:42,015 I'M HONORED. 633 00:35:44,559 --> 00:35:46,812 WHY GO THROUGH SO MUCH TROUBLE TO GET CLOSE TO ME? 634 00:35:46,812 --> 00:35:49,230 YOU'RE IMPORTANT TO JOE, SO YOU'RE IMPORTANT TO ME. 635 00:35:49,230 --> 00:35:50,899 YOU WERE MEANT TO BE MY GIFT TO JOE. 636 00:35:50,899 --> 00:35:53,485 NOW I'LL HAVE TO SHOW UP EMPTY-HANDED. 637 00:35:53,485 --> 00:35:55,654 LOOK. I ENJOYED OUR TIME TOGETHER. 638 00:35:55,654 --> 00:35:57,489 I REALLY DID. 639 00:35:57,489 --> 00:36:00,199 I SEE WHY JOE'S SO DRAWN TO YOU. 640 00:36:00,199 --> 00:36:01,326 GOOD-BYE, RYAN. 641 00:36:28,812 --> 00:36:30,063 Mike: WHERE IS SHE? 642 00:36:30,063 --> 00:36:31,189 RYAN, WHERE'S LILY? 643 00:36:32,398 --> 00:36:33,483 SHE'S GONE. 644 00:36:45,537 --> 00:36:47,539 WHAT HAPPENED? 645 00:36:47,539 --> 00:36:49,499 JUST DRIVE, DEAR. 646 00:36:49,499 --> 00:36:51,376 YES, MOTHER. OF COURSE. 647 00:37:14,315 --> 00:37:15,525 ALL PACKED UP. 648 00:37:15,525 --> 00:37:16,943 WE CAN DUMP THE REVEREND'S CAR 649 00:37:16,943 --> 00:37:19,278 IN TERRENCE, TWO COUNTIES OVER. 650 00:37:19,278 --> 00:37:20,530 THERE'S A BUS STATION THERE. 651 00:37:20,530 --> 00:37:22,032 OH. HERE. LET ME HELP. 652 00:37:24,117 --> 00:37:26,285 ARE WE GOING TO NEW YORK? 653 00:37:26,285 --> 00:37:27,829 ALWAYS WANTED TO GO TO NEW YORK. 654 00:37:27,829 --> 00:37:29,664 UH, I'M NOT SURE YET. 655 00:37:29,664 --> 00:37:31,958 LET'S SEE IF WE CAN, UH, GET OUT OF THE COUNTY 656 00:37:31,958 --> 00:37:33,001 FIRST, HUH? 657 00:37:33,001 --> 00:37:34,086 THANKS FOR TAKING ME. 658 00:37:35,170 --> 00:37:36,379 I WON'T DISAPPOINT YOU. 659 00:37:39,424 --> 00:37:41,676 I WORRY ABOUT DISAPPOINTING YOU. 660 00:37:41,676 --> 00:37:42,761 WOW. 661 00:37:45,138 --> 00:37:48,391 I NEVER THOUGHT I'D LEAVE THIS PLACE, 662 00:37:49,559 --> 00:37:50,977 AND NOW... 663 00:37:53,939 --> 00:37:55,899 AND I CAN HELP YOU. 664 00:37:55,899 --> 00:37:57,150 I'M VERY RESOURCEFUL. 665 00:37:59,027 --> 00:38:00,987 YES. YES, YOU ARE. 666 00:38:02,572 --> 00:38:03,865 I BELIEVE IN YOU, JOE. 667 00:38:10,705 --> 00:38:13,541 NOW...MATCHES. 668 00:38:29,474 --> 00:38:32,060 IS THERE AN ICE MACHINE? [CELL PHONE RINGING] 669 00:38:32,060 --> 00:38:33,103 IF THE BODY'S GONNA BE HERE A WHILE, 670 00:38:33,103 --> 00:38:34,187 YOU WANT TO ICE IT. 671 00:38:35,981 --> 00:38:37,857 GOOD IDEA. 672 00:38:37,857 --> 00:38:39,400 YES? 673 00:38:39,400 --> 00:38:41,861 OK. OK. I UNDERSTAND. WE ARE LEAVING NOW. 674 00:38:42,904 --> 00:38:45,073 WE HAVE TO GO NOW, NOW, NOW. 675 00:38:45,073 --> 00:38:47,742 - WHAT'S HAPPENING? - THERE'S NO TIME. WE NEED TO GO. 676 00:38:47,742 --> 00:38:49,161 NO. WE'RE NOT TAKING HER. 677 00:38:49,161 --> 00:38:50,536 YES, WE ARE! 678 00:38:50,536 --> 00:38:51,746 YOU'RE COMING WITH US, OK? 679 00:38:55,917 --> 00:38:57,877 Kimmy: I CAN'T BELIEVE IT. I'VE WORKED FOR MRS. GRAY 680 00:38:57,877 --> 00:38:59,504 FOR TWO YEARS. 681 00:38:59,504 --> 00:39:00,880 SHE'S ALWAYS BEEN SO SWEET. 682 00:39:04,176 --> 00:39:06,552 WHAT THE HELL HAPPENED? 683 00:39:06,552 --> 00:39:08,429 I VETTED HER. I DID A FULL BACKGROUND CHECK. 684 00:39:08,429 --> 00:39:10,182 WE DID, TOO. SHE'S EXACTLY WHO SHE SAYS SHE IS. 685 00:39:10,182 --> 00:39:11,724 THE PAPER TRAIL'S TOO COMPREHENSIVE TO BE FAKE. 686 00:39:11,724 --> 00:39:14,019 WELL, THEN HOW DO WE EXPLAIN THE FACT 687 00:39:14,019 --> 00:39:17,438 THAT SHE JUST GOT UP AND WALKED OUT OF HERE LIKE A TRAINED ASSASSIN? 688 00:39:17,438 --> 00:39:19,899 AND YOU, IF YOU'RE HOLDING ANYTHING 689 00:39:19,899 --> 00:39:22,359 - BACK ON ME-- - I DIDN'T SEE IT, ALL RIGHT? 690 00:39:22,359 --> 00:39:23,987 SHE GOT BY ME. 691 00:39:23,987 --> 00:39:25,571 I'M NOT YOUR ENEMY, 692 00:39:25,571 --> 00:39:27,406 BUT I NEED YOU TO COOPERATE WITH ME. 693 00:39:29,659 --> 00:39:32,078 I MISSED IT. PEOPLE DIED. 694 00:39:33,205 --> 00:39:34,206 YOU DON'T WANT ME HERE. 695 00:39:36,374 --> 00:39:39,127 YOU KNOW. THIS IS WHY, MIKE. 696 00:39:39,127 --> 00:39:40,337 YOU KNOW. 697 00:39:45,884 --> 00:39:47,969 CAN WE SAY A PRAYER FOR MAMA? 698 00:39:47,969 --> 00:39:49,221 OF COURSE. 699 00:39:52,307 --> 00:39:55,518 DEAR LORD, PLEASE BLESS MY MOM 700 00:39:56,602 --> 00:39:59,272 AND REVEREND GLEN. 701 00:39:59,272 --> 00:40:02,275 SHOW THEM PEACE WHEREVER THEY MAY BE. 702 00:40:02,275 --> 00:40:04,277 MOST IMPORTANT, 703 00:40:04,277 --> 00:40:06,988 PLEASE BLESS JOE FOR SAVING ME. 704 00:40:08,698 --> 00:40:12,410 AND GOD BLESS MANDY FOR HAVING FAITH IN ME. 705 00:40:13,578 --> 00:40:14,871 AMEN. 706 00:40:15,997 --> 00:40:17,290 AMEN. 707 00:40:25,506 --> 00:40:35,308 Man: ♪ WHEN THE NIGHT HAS GONE ♪ 708 00:40:35,308 --> 00:40:38,561 ♪ AND THE LAND IS DARK ♪ 709 00:40:39,854 --> 00:40:41,689 ♪ AND THE MOON ♪ 710 00:40:43,191 --> 00:40:48,446 ♪ IS THE ONLY LIGHT WE SEE ♪ 711 00:40:53,868 --> 00:40:57,622 ♪ NO, I WON'T ♪ 712 00:40:57,622 --> 00:41:00,375 ♪ BE AFRAID ♪ 713 00:41:00,375 --> 00:41:02,460 ♪ OH ♪ 714 00:41:03,795 --> 00:41:06,881 ♪ I WON'T BE AFRAID ♪ 715 00:41:06,881 --> 00:41:11,552 ♪ JUST AS LONG ♪ 716 00:41:11,552 --> 00:41:13,972 ♪ AS YOU STAND ♪ 717 00:41:15,265 --> 00:41:17,850 ♪ STAND BY ME ♪ 718 00:41:22,272 --> 00:41:24,607 ♪ IF THE SKY ♪ 719 00:41:26,484 --> 00:41:28,736 ♪ THAT WE LOOK UPON ♪ 720 00:41:31,906 --> 00:41:35,243 ♪ SHOULD TUMBLE AND FALL ♪ 721 00:41:36,535 --> 00:41:39,538 ♪ ALL THE MOUNTAINS ♪ 722 00:41:41,249 --> 00:41:45,628 ♪ SHOULD CRUMBLE TO THE SEA ♪ 723 00:41:50,508 --> 00:41:52,802 ♪ I WON'T CRY ♪ 724 00:41:53,928 --> 00:41:57,098 ♪ I WON'T CRY ♪ 725 00:41:57,098 --> 00:41:59,142 ♪ NO ♪ 726 00:42:00,268 --> 00:42:03,188 ♪ I WON'T SHED A TEAR ♪ 727 00:42:04,856 --> 00:42:08,734 ♪ JUST AS LONG ♪ 728 00:42:08,734 --> 00:42:11,946 ♪ AS YOU STAND ♪ 729 00:42:11,946 --> 00:42:14,782 ♪ STAND BY ME ♪ 730 00:42:20,413 --> 00:42:24,709 ♪ DARLIN', DARLIN', DARLIN', STAND BY ME ♪ 731 00:42:24,709 --> 00:42:28,129 ♪ DARLIN', DARLIN', DARLIN', STAND BY ME ♪ 732 00:42:28,129 --> 00:42:32,884 ♪ DARLIN', DARLIN', DARLIN', STAND BY ME ♪ 733 00:42:32,884 --> 00:42:36,721 ♪ DARLIN', DARLIN', DARLIN', STAND BY ME ♪ 734 00:42:36,721 --> 00:42:39,598 ♪ IF THE SKY ♪ 735 00:42:40,725 --> 00:42:42,727 ♪ THAT WE LOOK UPON ♪ 736 00:42:46,314 --> 00:42:49,401 ♪ SHOULD TUMBLE AND FALL ♪ 737 00:42:50,651 --> 00:42:55,114 ♪ ALL THE MOUNTAINS ♪ 738 00:42:55,114 --> 00:43:01,746 ♪ SHOULD CRUMBLE TO THE SEA ♪ 739 00:43:01,746 --> 00:43:04,916 ♪ STAND BY ME ♪ 740 00:43:04,916 --> 00:43:08,420 ♪ STAND BY ME ♪♪